Overexposure (from Constellations series)

In my piece, titled "Overexposure," (from Constellations series) I delve into the intricate relationship between memory, art, and the passage of time. This work is a unique amalgamation of childhood photographs and fragments of my mother’s watercolored artwork, which have, over time, become intertwined with nature in unexpected ways.

The Concept of Overexposure

The title "Overexposure" serves a dual purpose. It not only refers to the photographic technique that alters the clarity and realism of an image but also symbolizes the overwhelming emotions tied to nostalgia and the memories of my childhood. The photographs, now distorted and bathed in shades of red, evoke a sense of heightened emotion—reflecting how our recollections can sometimes be more vivid, yet less clear, than the actual events.

The Role of Mold in the Artwork

One of the most striking elements of this piece is the presence of mold, which has taken residence on my mother’s artwork. This organic growth, often viewed as a sign of decay, brings a new life to her pieces. It serves as a reminder that art is not static; it evolves and interacts with its environment. The mold embodies the ongoing dialogue between life and art, suggesting that even in deterioration, there is beauty and vitality.

Childhood Memories and Their Distortion

The childhood photograph I incorporated into "Overexposure" are portals to a past that feels both familiar and distant. Overexposure was a common mishap when one developed photos prior to the digital age, and it distorts the reality they represent, mirroring how memories can shift over time. The intense red hue encapsulates the passion and intensity of those formative years. I stand confident in a gold onesie snowsuit at the top of mossy rock. My orange tuque slanted to the side, flopping in the winter wind. My gaze is centered and solid, I know who I am and what I am here to do. I clench a walking stick. I must be 4 years old, this is who I am prior to attending school, entirely self-assured and unscathed by social pressures and the conscious knowledge of loss. Knowing the land I stood on as if I had been nurtured by it for centuries. 

A Living Artwork

In "Overexposure," I invite viewers to contemplate the complexities of memory, the passage of time, and the transformative nature of art. The mold, alive and thriving on my mother’s watercolors, symbolizes resilience and the continuous cycle of life. This piece challenges us to embrace the imperfections and distortions of our past, recognizing that they contribute to the richness of our experiences. Through this work, I hope to create a space for reflection and connection, allowing others to engage with their own memories and the art that shapes them.